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I’m quite sure it wasn’t my place to correct him. I don’t regret not asking him not to use the word. I don’t think I’ll ever be able to separate the word “nigger” and violence, and even if he seems to intend no harm, it still scares me. I tend to the think that if I had approached him his response to me would have been violent. Or he might just have seen me as one more white person telling him what to do. He might have told me of how he grew up using the word and how my perspective is a very white perspective, and that can only think of black people in terms of how white people view them. So what should I have done? Ask him to stop using the word “nigger”? Perhaps if I had we would have discussed the word, and how we each view it differently. They’re faces show nothing, but if I was successful, my face also showed nothing. I wonder if the woman and the man behind the counter feel the way that I do. I knew that I wasn’t in danger, but still, I couldn’t turn off the fear or the shame. I know I’m not in danger, but he’s fouling the air. As I was stuck in this enclosed space, with the word “nigger” being tossed around, my feelings were roughly what they would be were this man to have defecated on the floor. To me, the very word “nigger” is an act of violence-or rather, I have a hard time believing that the word “nigger” is not either the encouragement and the prelude to violence. I still believe that the word “nigger” is used to dehumanize black people, to suggest that they deserve violence. I was raised to believe that “nigger”-like “kike” or “gook”-is a fighting word. I was raised to believe that word “nigger” must never be uttered out loud. My forehead pinches, and my stomach tenses. The word “nigger” makes me extremely uncomfortable. In the places where I might use the words “guy”, “person” or “dude,” he was using the word “nigger.” One, went down an aisle, out of my sight, began talking loudly on his cell phone. There was an elderly white man behind the counter, along with a younger black woman. Andy Mangels edited issues #14 to #25 and a special issue featuring Barela Mangels changed the title to Gay Comics starting with issue #15, in part to divest it of the “underground” implications of “comix”.Įxcerpts from Gay Comix were included in a 1989 anthology titled Gay Comics.My husband and I were in a hardware store trying to have some keys copies. The first four issues were edited by Cruse issues #5 through #13 were edited by Triptow. Kitchen Sink Press published the first five issues of Gay Comix thereafter it was published by Bob Ross, publisher of the Bay Area Reporter gay newspaper. Lee Marrs and Trina Robbins, two of the original members of the Wimmen’s Comix Collective. Syndrome, Satyr, and the cover of issue #3 Robert Triptow, editor of issues #5 through 13īurton Clarke, creator of Cy Ross and the S.Q. Howard Cruse, editor of the first four issues
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Roberta Gregory, who created Dynamite Damsels (1976), the first lesbian underground serial comic book, and the character Bitchy Bitch Mary Wings, creator of the first one-off lesbian book Come Out Comix (1972) and Dyke Shorts (1976)Īlison Bechdel, who created Dykes to Watch Out For and whose graphic novel Fun Home was adapted into a Tony Award-winning Broadway musical All three editors made a deliberate effort to feature work by both women and men.Īrtists producing work for Gay Comix included
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It is generally less sexually explicit than the similarly-themed (and male-focused) Meatmen series of graphic novels. The contents of Gay Comix were generally about relationships, personal experiences, and humor, rather than sex. Gay Comix also served as a source for information about non-mainstream LGBT-themed comics and events. Autobiographical themes include falling in love, coming out, repression, and sex. Much of the early content was autobiographical, but more diverse themes were explored in later editions. Created by Howard Cruse, Gay Comix featured the work of primarily gay and lesbian cartoonists. Gay Comix (later spelled Gay Comics) is an underground comics series published from 1980–1998.